The SHANNON MUIR’S INFINITE HOUSE OF BOOKS column on Mondays and Wednesdays is a place at Shannon Muir’s author website open to interviews and guest posts from other authors. One thing Shannon firmly believes in for readers not only to learn about new books available, but about those who craft the tales behind them. As its name implies, SHANNON MUIR’S INFINITE HOUSE OF BOOKS weekly column features writers from all genres of fiction who want their potential audience to get to know them, and their works, better – and occasionally may offer features from Shannon herself that support readers to discover words.
Today, find out more about GETAWAY.
GETAWAY by Maureen Brady,Women’s Fiction, 230 pp., $14.99 (paperback) $8.99 (kindle)
Author: Maureen Brady
Publisher: Bacon Press Books
Genre: Women’s Fiction
What initially got you interested in writing? The answer is reading. When I was a child, I thought I would try to read right down the shelf from A to B to C, in the kid’s section of my local library where I often went to wait for my mother to finish working at a hospital across the street. As I grew older, I often had the thought when I finished a book that I could have written it better. Still, I had little confidence and even in college was afraid to take a writing class because I feared I would be too devastated if what I wrote turned out to be no good. But after college, when I was hungry for more release for my imagination, I took the big step of signing up for a class at The New School called First Fiction. There were about 20 or more students and only 2 or 3 of us really wrote, but I was like a ripe fig about to drop off a tree, and when the teacher said write, I went for it and wrote 3 or 4 very short stories during that semester.
How did you decide to make the move into being a published author? I completed my first novel, Give Me Your Good Ear, and published it.
What do you want readers to take away from reading your works? I want readers to be provoked to think about the themes I write about, and I want them to feel they have gained a window into some character’s humanity.
What do you find most rewarding about writing? It provides a constant challenge to stretch yourself when you don’t feel you can go any further, and a chance to spend time in the imagination. Also, when a story comes together in a way that moves me, then I feel there is a good chance it will move others and that is a good feeling. I also realize that I enjoy the privilege of having this avenue on which to express myself, and it’s hard to imagine living without such a resource.
What do you find most challenging about writing? The amount of time and devotion required to get something right, and while I don’t mind putting in that effort, it is difficult when one often has to struggle to complete the process by publishing the work and finding good resources for sharing it with the world.
What ways can readers connect with you? See my website for Events, especially in the NYC area in May and June and come out for them. Or contact me via my website.
kitchen floor, Cookie Wagner flees to remote Cape Breton, Nova Scotia.
For a moment, she seems to have gotten away with murder. But, consigned
to a secretive life with a new name and the need to be on constant
alert, she faces all she has not gotten away with. She is helped by the
recently widowed Mrs. Biddle, who offers her a place to stay, and the
lobster fisherman Butch, who gives her a job and later falls in love
with her. Walking the cliffs and beaches, taking in the scruffy
windblown plants that survive the buffeting wind by growing at an angle,
she begins to heal.Yet, there is no leaving behind the notion that Warren is dead as the result of her action.
Or is he? And if not, will he one day come to find her?Sexual harassment and abuse are all over the news these days, often
involving celebrites and other well-known figures, but Cookie, the
protagonist of Getaway, is no celebrity. She’s an ordinary
woman married to a working class guy who drinks too much and resorts to
violence. Their story reveals how endemic the phenomenon of abuse is,
and the quandary Cookie lands in when she fights back.
Praise for Getaway:
“Sensitive, sensual, and stirring. “Getaway” is a true page-turner,
but one with heart and with context. I couldn’t put it down until I got
to the end, not just to find out what happened, but also to
discover who these intriguing and complex characters would develop into.
An extremely satisfying read!”
Danielle Ofri, author of What Patients Say, What Doctors Hear, Editor-in-Chief, Bellevue Literary Review.
newspaper, she didn’t actually comprehend that she was a writer until
after she had moved to New York City in her twenties, where she began
taking writing workshops at The New School and then fell headlong into
the consciousness raising groups of the early 1970’s.She published her first novel, Give Me Your Good Ear, in 1979, and it was published by The Women’s Press in England in 1981. Her novel, Folly,
was excerpted in Southern Exposure, received wide critical acclaim, was
nominated by Adrienne Rich for an ALA Gay Book Award and was reprinted
as a classic by The Feminist Press. She published a collection of short
stories, The Question She Put to Herself, in 1987, then turned to writing nonfiction in the ’90’s, publishing Daybreak: Meditations for Women Survivors of Sexual Abuse and Midlife: Meditations for Women. She returned to fiction with the novel, Ginger’s Fire, and her most recent novel, Getaway.Her recent work has appeared in Sinister Wisdom, Bellevue Literary
Review; Just Like A Girl; Cabbage and Bones: Irish American Women’s
Fiction, Mom, In the Family, and Intersections: An Anthology of Banff
Writers. Brady’s essays and stories have been nominated for the Pushcart
Prize and were finalists for the Katherine Anne Porter Fiction Prize
and the Nelsen Algren Short Story contest.
An Adjunct Assistant Professor, she teaches creative writing at New
York University and New York Writers Workshop @ the Jewish Community
Center, and works as a free-lance editor and tutor, helping writers
across the spectrum take their writing to the next stage.
A co-founder of Spinsters Ink, Brady edited such books as The Cancer
Journals by Audre Lorde and The Woman Who Breathes Fire by Kitty Tsui.
She also served as a panelist for The New York State Council on the Arts
Literature Program and as a fiction judge for Oregon Literary Arts. She
is a founding member of The New York Writers Workshop and has long
served as Board President of Money for Women Barbara Deming Memorial
She has received grants from the Ludwig Vogelstein Foundation; New
York State Council on the Arts Writer-in-Residence; New York State
Council on the Arts CAPS grant; Holding Our Own; Briarcombe Foundation;
and The Virginia Center for the Creative Arts Fellowship to The Tyrone
Guthrie Centre, Ireland. She was the winner of the Saints and Sinners
short story contest for 2015 and is also a Saints and Sinners Hall of
She lives in New York City and Woodstock with her long term partner, Martha, and their joy dog, Bessie.
Visit Maureen’s website at www.maureenbradyny.com